My Own Little Piece of Givenchy

Readers,

News of the passing of Hubert de Givenchy reminded me that I have a pattern dating from 1960 for a suit he designed, as the envelope proudly proclaims, “exclusively for McCall’s.”

I bought it in an eBay auction about fifteen years ago, and while I don’t remember what I paid, it couldn’t have been more than $10.

I have never sewn this pattern.  The waist definition and neckline are flattering for my figure type; the “sleeves in one with jacket,” not so much for my sloping shoulders. 

Maybe the right shoulder pads would remedy the problem. (Or is that wishful thinking?)

Whenever I happen upon this illustration, rifling through my pattern stash or leafing through my pattern catalogue, I imagine myself in this chic ensemble.  It’s funny–I just realized that when I look at many of my other patterns I look at them more objectively as projects, as construction challenges, as units in outfits and capsules.

But without fail, when I look at this suit by Givenchy I am transported to a smart restaurant that’s worthy of it. I imagine feeling well dressed but not upstaged by what I’m wearing.

Best of all, I always imagine feeling wonderful in this outfit.

I can’t explain why, but this design captured something special for me when I saw the pattern, and it still does.

That’s staying power.

All Projects Great and Small: Creating a Task Analysis Tool

Readers,

There are few things I love more than having a good project. I love projects with the keenness of Fame(US), the border collie who won the Westminster Kennel Club agility championship recently:

Maybe I was a border collie in a previous life.

But despite my love for projects–sewing and other kinds–I don’t have a stellar track record for completing them–hence my reading books like Finish, by Jon Acuff, for insights.

And now I’m working my way through The Productivity Project, by Chris Bailey, in the hopes of picking up pointers from someone who spent a whole year devoted singlemindedly to the pursuit of, basically, project management.

My project management has had less in common with Fame(US) the border collie and more with Olly the Jack Russell terrier at Crufts last year: excited but prone to distraction:

But recently I came up with a new tool for myself that just may advance me in the project agility class.

I was noodling around with my favorite tool–a mind map– while I was waiting for the dryer repairman to call and then show up the other morning.  While I had one ear cocked for the phone and then for the knock on the door I wanted to answer this pressing question:

How come some of my projects get done, some get only half-done, and some are never started even though they retain a tantalizing glow of possibility?

So, what is a project, anyway? I asked myself. I started listing every aspects of a task–a single unit of a project–that I could think of.

Take space, for instance.  Every task requires space.  But different tasks have different space requirements:

Space

  • Amount needed
    • A lot
    • Not very much
  • Type needed
    • Work surface
      • Floor space
      • Tabletop space
    • Clean work or messy work
      • Clean work
        • Sewing room
      • Messy work
        • Workshop
        • Garage
  • Fixed location or movable location
    • Fixed
      • Example: cleaning the fridge can be done in only one place
    • Movable:
      • Example: sorting papers can be done in several places
  • Amount of time the space is needed
  • Amount of disruption while the space is used
  • Amount and type of lighting needed: task lighting? Natural light?

And then there’s time:

Time

  • Can the task be done all in one go, quickly?
  • Must it be done all in one go and take a long time? (I was thinking about writing posts, there.)
  • Can the task be broken into several sessions?
    • Example: organizing papers over a few afternoons
  • Does the task have to be broken down into several sessions?
    • Example: painting furniture and waiting for each coat to dry

Wow–this was interesting.  I continued:

  • Can the task be done entirely at home or do parts have to be done elsewhere?
  • Is the task limited to a certain season or weather condition?
  • Frequency:
    • Once and it’s done
    • Frequently
      • And that’s okay
      • But it’s a pain
    • Once in a while
  • Does the task require wearing certain clothes?
    • Messy work–yes
    • Clean work–no
  • Is the task highly related to other tasks?
    • Highly related: needs to be coordinated, maybe in a sequence
    • Not highly related: coordination not necessary; little or no sequencing
  • Batching:
    • Can the task be batched with other tasks?
    • Is there an advantage?
      • Save time
      • Keep momentum up
      • Get more done on one errand run

So far I’d captured objective, quantifiable aspects of tasks and projects.  But what do various tasks require of me?

How about:

Attention level

  • Can it be done with low attention
    • and I could listen to a Craftsy class or a radio talk show in the background?
      • Example: ironing
  • Does it have to be done with high attention
    • and I could listen to instrumental music or opera in the background?
      • Example: writing

Energy level

  • Requires high energy
    • Example: major painting projects
  • Doesn’t require high energy
    • Example: filing papers

Skills

  • Do I have the skills for this task?
    • If so, do I want to use my skills for this task?
    • Do I have
      • the time?
      • the experience?
      • the equipment and supplies
      • the instructional resources?
      • the motivation?
    • If I have the skill, will the task or project put me right at the edge of my present abilities–my challenge edge?
    • If I need to learn the skill
      • Do I have the resources already? Do I need to budget for resources?
        • equipment
        • tools
        • supplies
        • instruction sources
          • online, print, or in person?
          • individual feedback necessary?
        • time
          • to learn, including making mistakes
          • to perform the actual task
        • space
        • money
      • Do I have the motivation, interest, desire?
      • Do I have the aptitudes?

Can I (or must I) do it all myself?

  • I can (because I have the skills and resources)
  • I must (because nobody else knows what I want to accomplish)

Will I need or want help with this?

  • A helping hand from a friend or relative
  • Expert help
    • Repair people, installers
    • Knowledgeable salespeople
    • Designers
    • Pickup and delivery people

Now for a big aspect of task and project management: what repels me:

Aversion level

  • Does the task involve things or activities I loathe?
    • Dealing with electronics
      • computers and software
      • computerized equipment (like sergers)
      • smartphones
      • TV remotes
    • Driving
    • Shopping in stores with
      • bad music (I’m talkin’ ’bout you, Jo-Ann Fabrics!)
      • ugly merchandise or displays
      • unhelpful salespeople
    • Using aptitudes I’m low in
      • structural visualization, which is a must for patternmakers
    • Feeling I’m imposing on others
    • Making phone calls (sometimes)
    • Decisionmaking
      • When I don’t have reliable advice
      • When I haven’t defined
        • the problems
        • the solutions
        • my vision
        • criteria

On the other hand, what draws me in?

Fun level

  • This task or project lets me work with my favorite:
    • Aptitudes
      • dexterity
      • memory for design
      • verbal abilities
    • Skills
      • organizing
      • planning
      • cleaning
      • sewing
      • cooking
      • writing
      • research
    • Equipment and tools
      • Sewing equipment and tools
      • Cooking appliances and tools
      • Mind-mapping tools
    • Supplies
      • Office supplies
        • Mechanical pencils, colored pencils
        • Labeler
        • Graph paper, tracing paper
        • Rulers
      • Paint
      • Fabric
      • Food
    • People
      • Individuals
      • Types of skilled people
  • This task lets me produce my favorite results:
    • Painted surfaces
    • Sewn items
    • Food
    • Organized spaces or plans
    • Blog posts

I thought of still other factors: Consequences, Aggravations, and Rewards:

  • The consequences of not doing the task:
    • How bad would they be?
      • Increased risk
      • Compromised quality or safety
    • How soon would they occur?
      • Soon
      • Not soon
    • How certain would they be?
      • Certain
      • Not certain
  • The aggravations related to the task remaining undone:
    • Inconvenience
      • Size
      • Frequency
    • Embarrassment
      • Size
      • Frequency
    • A feeling that something is off, (like a paint color or a floor plan):
      • Size
      • Frequency
  • The rewards I could experience if I do the task or project:
    • Creating or adding functionality, beauty, or enjoyment
      • How great an increase?
        • Dramatic
        • Small, but
          • Still noticeable
          • Cumulative
      • How frequently would the reward be experienced?
        • Every time I see or use the improved thing
        • Once or twice; then I’d be used to the improvement
    • Eliminating or reducing pain or worry
      • How great a reduction?
      • How frequently is the relief felt?
    • Creating a positive trajectory
      • What advantages might compound?
      • What opportunities might open up?
  • What could I miss out on if I don’t succeed with this task or project?
    • Rewarding social connections
    • A higher level of skill
    • The ability to accomplish more sophisticated tasks or projects that lie beyond my present ability
    • On the other hand, maybe nothing much

As I mind-mapped as many aspects of tasks as I could think of, I realized as never before how there are objective components–like space and light requirements–and subjective components–like what I avoid whenever I can, what aptitudinal weaknesses and strengths I’m working with, what I gravitate toward and find fun, and what I find rewarding.

Now I’m thinking that if I account simply for the objective components of a task, my work is only half done–and my task may very well remain discouragingly half-finished.  Without understanding all the subjective components–the ones that could sink the ship, and the ones that could be my life-preservers–my odds of succeeding are very small.

These days I am applying myself to fitting a pants pattern.  (Well, some days I am, and other days I’d rather do anything but.) So I was curious to test my rough draft of a tool on my pants-fitting project.  Here are the main insights I gained:

  • Fitting pants requires a high attention level.
  • This is difficult to achieve, because I have a low aptitude for a key skill needed: structural visualization.
  • The aversion level is high:
    • my low aptitude
    • trying to follow instructions I don’t understand
    • trying to decide what to do next when I’m not grasping a concept
  • My aversion level could definitely doom this project as it has doomed previous (admittedly halfhearted) attempts in the past.
  • The consequences of my not getting pants to fit? Low. I wouldn’t be breaking any promises, and the world doesn’t care. I have to be careful, however, not to let these thoughts sabotage my efforts.
  • The aggravation level if I don’t get a pants pattern to fit? High!
    • I’ll continue to wear pants that fit badly or not well in every way.
    • I will be frustrated not being able to sew as many great coordinates for my tops, jackets, and coats
    • I won’t get to design as many interesting outfits and capsules for my wardrobe
    • I’ll be subject to the vagaries of fashion: fit, color, style.
  • The rewards of having pants that fit? Also high!
    • Comfort
    • Style
    • A feeling of control over my wardrobe choices that I don’t have now
  • The fun level is something I need to leverage conscientiously:
    • Using my high aptitude of dexterity
    • Using my favorite skills of research, writing, organizing, planning, and sewing (if only muslins)
    • Using favorite supplies: mechanical pencils, fashion rulers, tracing paper
    • Enlisting help from Jack, to take snapshots, and Cynthia, to take studio shots, of me in muslins to analyze fit.
  • The time required will be many sessions of short duration–short, better to keep my aversions and aggravations in check.
  • My skill level in fitting is low, but I do understand some pattern-drafting and alteration, and pants construction will be a comparative breeze.

Interestingly, looking over the data I’d collected I wasn’t discouraged, and I can think of several reasons why.

One is that there have never been so many good learning tools for fitting pants, written by very experienced teachers, as now.  I own my share of them but only recently gave them the full attention they deserve. I have been viewing online classes and DVDs and reading books and articles by Pati Palmer and Marta Alto, Sarah Veblen, Sandra Betzina, Kenneth King, Joyce Murphy, Kathleen Cheetham, and others. I am gradually absorbing some fitting principles as I see different ways they are described and illustrated and test them in my muslins.

Another is that a pattern-drafting company, Fitography, got me closer to a good fit right from the start. I am fine-tuning the Chloe Pants pattern now.  Ideally, the pattern drafted from your measurements fits you perfectly the first time, but due probably to errors on my part that wasn’t the case. However, it was the prospect of a pattern drafted to my measurements and style and fit preferences that inspired me to take up the pants challenge again.

There definitely is a sizable gap between my abilities and knowledge and the well-fitting, flattering pattern I want. But I feel as if these fitting teachers are reaching out as far as they can on their end to close the gap. Judith Neukam has a new approach to pants-fitting in the April/May 2018 issue of Threads that looks really interesting.

My last reason for not feeling discouraged is I have important new insights into what it will realistically take for me to succeed in any project I undertake. Even if I have time, a well-lighted, well-equipped work space, and all the tools I need, my aversions can hold sway. It’s often easier to imagine the frustrations of failures than the satisfactions of success.  I’m seeing that success will not come without vividly imagining the rewards. I also have to incorporate my natural interests and strengths deliberately into my plans. I can even employ my aggravations on my behalf: Do I really want to keep shopping for ready-to-wear? No!

Some projects, it’s occurring to me, are just plain difficult. Other projects are difficult but have a benefit beyond the immediate result: they can be a gateway to a higher level of ability, creativity, and productivity. Fitting pants could be just such a gateway project for me.  I’m going to remind myself of that possibility, because I want to give myself the best chance to make that statement true.

Book: Finish: Give Yourself the Gift of Done by Jon Acuff

Readers,

Like the majority of sewers, I’m enchanted by novelty. There’s always a new fabric, new pattern (or new-to-me vintage pattern), new tool, new technique, new Craftsy class, or new discussion of the Craftsy class vying for my attention.

Likewise, the prospect of starting a sewing project is practically irresistible. Despite numerous failures and unfinished projects I remain unreasonably confident about the success of the garment I’m planning to make. My optimism reminds me of how Samuel Johnson characterized second marriages: “the triumph of hope over experience.”

“Moribund Projects” is more like it.

Call me hopeful, then. If I’d relied solely on the brutal facts of experience to guide my plans I would have closed up shop and hired a seamstress long ago, there would be no hero’s journey, and no blog. Unthinkable.

However, I wouldn’t mind improving my batting average. So when I learned about Jon Acuff’s book Finish: Give Yourself the Gift of Done I immediately requested a copy from my library and read it at a leisurely pace over a couple of afternoons.

Here are some observations and bits of advice I found useful in Finish:

  • Perfectionism is the enemy of finishing. More people quit Acuff’s online goal-setting course, 30 Days of Hustle, on Day 2 than on any other day. “Why that day?” Acuff asks. “Because imperfection doesn’t take long to show up. Imperfection is fast, and when it arrives we usually quit. That’s why the day after perfect is so important. This is the make-or-break day for every goal.” Acuff spends the rest of the book identifying perfectionism’s sneaky reasoning and disguises so we aren’t taken by surprise.
  • Most people set goals that are foolishly optimistic–a practice called “planning fallacy”–which results in a high failure rate. Acuff recommends scaling back your goal to stay in the game.
  • Perfectionism claims “You can do it all.” You can’t. Acuff recommends, “Choose what to bomb, and succeed at a goal that matters.” I would add that it has helped me to recognize where I have low aptitudes and need to find expert help.
  • Perfectionism can come in the form of distraction.

    • The first form is the “hiding place,” which Acuff describes as “an activity you focus on instead of your goal,” that doesn’t require the discipline that your goal does.
    • The second is the “noble obstacle,” which is “a virtuous-sounding reason for not working toward a finish.” Noble obstacles often have “until” or “if…then” in their elaborate explanations for not realizing a goal.
  • “If you’re not excited about your goal right now, ask yourself, ‘What’s my real goal?’ Make sure that what you’re chasing is actually what you want to catch. As you progress with your goal you should continue to come back to this gut-check question because it’s really easy to get off track despite your best intentions.”

    What is my real goal with my unfinished projects? Good question!

  • “If you don’t have a lot of joy in your goal right now, make sure you’re using a method that plays to your strengths. If you pursue the right goal in the wrong way, you still end up in the wrong place.”
  • “Data moves us beyond discouragement.” Emotions change, memories fade and change, but numbers can be your friends. Acuff gives 23 ways to measure your progress, including inches or pounds lost and subscribers or money gained. In sewing a wardrobe, I realized a measure of progress could be the number of outfits I could create planning a capsule rather than a stand-alone garment. And that would be a fun puzzle to work out.
  • “The past is trying to teach you.” Answer questions like “What happened the last time you attempted a goal like the one you’re planning?” and “If you didn’t finish, which parts tripped you up?” to help you shape a better process this time.
  • Perfectionism rises up even when you’re nearing the finish line “for one more barrage of fear.” “The day before done is terrifying,” Acuff says, as “What now?” “What if it’s not perfect?” and “What’s next?” appear. A friend can be important all through the process of meeting the goal but never as crucial as at the end.
  • Ask yourself “What am I getting by not finishing?” because you are getting something, Acuff says. “You get to hold on to the illusion that you could finish if you really wanted to. Rather than find out you might not be good, you hide in the myth of maybe.”
  • The worst thing perfectionism does is make sure you never try.

“But you’ll never know the unbelievable joy of keeping a promise to yourself unless you finish,” writes Acuff. “That’s what we’re doing, keeping a commitment to ourselves and knowing we’ve fulfilled it when we finish.”

Finishing Finish yesterday afternoon, I had a strong urge to finish something. I went to my baker’s rack and pulled a jacket project I wrote about in 2014.

From 1959, Vogue Special Design 4036.

I started this jacket in 2011, and my last notes were dated January 16, 2015.

Did I feel a fresh resolve to finish this jacket? Not in the least. I decided to pitch it. No apologies, no regrets.

Since I last looked at this project, I’ve learned that I’m best in garments with a defined waist, and this jacket doesn’t have one. I’m also not sure this collar is a good look for me. I still like the fabric, but I’m not so sure it likes me. It may be too busy: the texture, contrast and colors are all attention-getters possibly to my detriment.

I made samples of the pocket and flap and bound buttonholes and did some special Kenneth King technique on the collar pieces.

But it was the dreary prospect of making a third muslin that dealt the death blow to this project.

Let’s recap:

  • not the most flattering silhouette
  • the fabric might steal the show from my face
  • hard to incorporate this jacket into a wardrobe capsule, plus
  • either I’d have to decipher muslin #2 or start over with muslin #3. Either way, no fun there.

I concluded this would not be a hero’s journey but a fool’s errand.

So I did the sensible thing: I declared my project done–without finishing it. Upon the further examination Acuff recommended, I reminded myself that my real goal is a wardrobe that serves me. This jacket doesn’t serve me. Case closed.

I am not breaking any promises to myself, caving in to perfectionism, or admitting defeat.

I’m just giving myself the gift of done–and enjoying it immensely.

Oh yes, I am going to dump this.

 

Decisions, decisions

Readers,

Yesterday I wrote this post and was almost finished with it when I had to stop for the day. This morning I sat down to finish it, add images, and hit Publish. I reread what I wrote and–saw a glaring omission. I hate when that happens!

I asked myself whether I should scrap this post or send it out. I decided to send it out and write a follow-up in the near future. Stay tuned.

Today, like a thousand other days, I pulled a fabric from my stash, looked at it intently, and asked myself, Is this a keeper or should I let it go?

I haven’t been able to decide, which bugs me. I tell myself, “Don’t keep not deciding,” but if I do decide, I should have a guiding principle for my decision. Just tossing something out may be an action, but I don’t see that as a decision–unless you call “I don’t want to deal with it” a decision.

Do any of these buttons go with this fabric?

I keep going back to this somewhat coarse, muted, heather green wool I picked up at the Guthrie Theatre costume department’s textile sale several years ago. Some days I think the color is just too muted and the value too mid-range to look good on me and that I should move the fabric on to somebody else. Maybe a redhead.

Nevertheless, I always reshelve this piece, thinking I haven’t yet fully grasped the color and value ranges it sits in and so what would complement them.

Most of my other fabrics just do not want to play with this Guthrie fabric. Most accent colors look too busy and bright, leaving the Guthrie one looking taciturn and glum. Neutrals just look drab paired up with the Guthrie, as if each is waiting for the other one to start the conversation. The silence is deafening.

A common activity in my sewing room: identifying colors in fabrics and finding suitable companions.

It seems as if this fabric is sitting on a line between a color and a neutral. It has too much color to be cast in a typical neutral role, but not enough color to hold its own against other colors. It’s neither light nor dark. But if I give this heather green wool just the right role in the right ensemble, it may reward my efforts tenfold. The prospect is enticing, and that’s why I keep playing this game.

The piece of equipment I most like to use in this color game is my 3 in 1 Color Tool, which is so old that another edition has since been published. This elusive color, which doesn’t reproduce well on my monitor, is kind of Yellow card 1 and kind of Chartreuse card 2. Even without matching the color perfectly I can see whether it tends toward pure, a tint (white added), a tone (gray added), or a shade (black added), which might help me locate companion colors with similar qualities. This wool seems to be a shade; it’s certainly muted.

And then I can flip the card over and see these wonderful color relationships set out on a color wheel–analogous, complementary, and so forth–that set my mind ablaze with ideas. I find myself pulling stash fabrics and buttons and wardrobe items to try different relationships that wouldn’t have occurred to me without this wonderful tool.

The 3 in 1 Color Tool is so helpful showing the possibilities in relating colors to each other.

If your eyes are glazing over at this point I can’t blame you, but then you probably took art classes and learned color principles in the first week. I thought I knew about the color wheel but never learned anything about actually applying basic color principles to designing garments, outfits, and a whole wardrobe.

Maybe if I quilted I would have had many a conversation about color concepts. But over the many years I’ve browsed fabric stores and attended sewing classes I don’t remember any discussion of color beyond “Oh, that would look good with that” or “That looks good on you.”

I recently learned about this Color Matching Guide for painters, which is also great for finding complementary colors for fabrics.

Color is hardly the only characteristic I’m intent on identifying, of course. There’s weight, and drape, sheen, texture, weave, pattern, contrast, fiber. There’s what the fabric is capable of doing physically (take a crease well or keep you warm) and psychologically (the luxurious feeling of silk).

My stash cards just barely all fit onto a standard ring.

I was thinking this morning that for years I’ve tracked simple factual information about my fabrics with my swatch cards: fiber, yardage, when and where purchased. A nice enough start.

So much data and so many ideas to collect! I am experimenting with a Fabric Inventory worksheet.

A few weeks ago I started experimenting with a worksheet to collect and hold more information: what garments this amount of fabric was suitable for, for what seasons, and what coordinates (fabrics, buttons, wardrobe items) I had on hand.

Yesterday morning I noticed I hadn’t created a space to record vital information for me: the Color Tool number. Time to revise the form! And I think there will be more revisions and additions to come.

Every day I’m reminded how planning and sewing a wardrobe is a multi-dimensional activity, with a multitude of  circumstances and choices that connect in a great big web. There are so many variables and dizzying possibilities that I can’t possibly keep them all in my head.

There are contextual circumstances like

  • occasions
  • activities
  • roles
  • physical conditions
  • what’s in my stashes and wardrobe to coordinate

And there are individual factors like

  • personality
  • style
  • figure type
  • coloring
  • physical characteristics

to factor in.

My swatch cards were a start. The fabric inventory worksheet is another step. But what I really want is to think much bigger.

I want to devise a streamlined, comprehensive system that will move me with minimal effort toward sound decisions, so I no longer find myself lingering over a decision–unless I want to.

What Really Counts

Readers,

A disconsolate letter poured into the Getting Things Sewn headquarters this morning addressed to our advice columnist, Miss GTS.

Miss GTS says, “Compare and despair? Au contraire, ma chere!” (Miss GTS knows that the first “e” needs an accent grave.)

It read,

Dear Miss GTS,

I don’t know what’s wrong with me. I should be excited to be in the Ready to Wear Fast year-long sewing challenge, but I’m depressed, and it’s only Day 4!

Over a thousand sewers have signed up, and some have already posted pictures of their first finished garments on the Facebook page!

Meanwhile, all I’ve done so far is give up on a pattern that’s described as “so easy even the schoolgirl can make it.”

I had high hopes for making a sleeveless jacket from Pictorial 7318, but the 1930s pattern-drafting mystifies me and I don’t know whether the fault lies in the pattern or in my feeble understanding.

This jacket, a sleeveless version traced from the pattern illustration, looks contemporary.

I guess those schoolgirls in the 1930s all went to vocational schools in garment districts.

While I was folding up the pattern pieces and putting them away yesterday I was mad because I can’t count this project toward my total count, which I was planning to be awesomely awesome.

Are the pattern pieces fine or do they need to be fixed? The waist was marked a full three inches above my waist–that was definitely not right.

The one who sews the most garments wins, I’m already behind, and I’ll never make up the lost ground.

Miss GTS, what can I do? I’m miserable!

Sincerely,

Sniffling in Columbus

Dear Sniffling,

It sounds like you’re suffering from a common malady called Compare and Despair. You are using a cheap, off-the-rack mental shortcut to compare your projects with other people’s projects rather than a tailor-made instrument to judge your results against your goals.

I could say “Just stop counting–right now!” but that would be as ineffectual as telling you not to think about a polar bear.  Instead, I suggest that you radically change what you count.

The number of garments you make is much less important than how well you’ve planned those garments to work with each other.  Leverage the power of capsules to create hundreds of outfits.

If you make 8 tops, 8 bottoms, and 8 jackets or cardigans that all go together, that’s 8 times 8 times 8, or 512 potential outfits. Is that impressive, or what?

And remember, zero is a number, too. How about aiming for:

  • Zero wardrobe orphans
  • Zero fabrics in unflattering colors or patterns
  • Zero patterns that don’t work for you
  • Zero Craftsy classes or sewing DVDs bought but never used
  • Zero unfinished projects

But even creative counting can get you only so far. The most valuable lessons, skills, and knowledge awaiting you are unquantifiable. If you are lacking in pattern-drafting knowledge see how you can achieve your goals within your current capacities.

Before you can be a practitioner, you have to practice.

Learn more patience. Practice using your serger.

Learn more diligence. Practice fitting a pants pattern.

Learn how to ask for help in more ways. Take advantage of being able to ask your Craftsy instructors questions.

Push yourself to work on your challenge edge–and be sure to give yourself credit for it.

Also, take breaks.

So for a vastly more interesting, productive–and fun!–year, drop the self-defeating game of Compare and Despair and design your own game of Dare and Declare. Dare to define what you want to accomplish, and declare, “This is what I’m doing–you’re welcome to join me!”

I know you can do this, Sniff.

I’m counting on you.

Sincerely,

Miss GTS

I’ll get back to this pattern eventually.