• Skip to main content

Getting Things Sewn

designing a wardrobe, a workspace and more

  • Home
  • About Me
  • Contact Me
  • The Big Picture
  • Process
  • Field trips
  • Sewing
    • Sewing Projects
    • Sewing techniques
    • Sewing supplies
    • Sewing space
  • Design
    • Fashion
    • Wardrobe

Project: Vogue 9820 (1959) Jacket, Part 4

October 26, 2013

Readers,

The orange wool wearable test I’m doing before I make my leopard collar jacket has continued to come together nicely.

Taking shape nicely.
Taking shape nicely.

I made the upper collar-lining unit yesterday.  Then I pinned it to the under collar-jacket unit, and stitched the units together in one long seam.

The upper collar-lining unit is pinned to the under collar-jacket unit, ready for stitching.
The upper collar-lining unit is pinned to the under collar-jacket unit, ready for stitching.

Pinning and stitching this long seam is always exciting and a little suspenseful for me. I’ve done a lot of work up to this point. Then I stitch, press, and grade the long seam. There’s the moment when I turn my project right side out and see it transforming into a garment. Boy, do I need that moment!

On me, the jacket is shifting and looks rumpled because I haven't yet anchored all the parts.
On me, the jacket is shifting and looks rumpled because I haven’t yet anchored all the parts.

This practice run has gone so well that I just might finish it and wear it for real.

This jacket is as soft and rumpled as a shar pei puppy.
This jacket is as soft and rumpled as a shar pei puppy.

I’m going to take this just as it is to my next Coat Craze class at Treadle Yard Goods Nov. 2. I’m wondering about interfacing the sleeve and jacket hems, anchoring the two units so they don’t shift, and finishing attaching the lining.

I think the rumpling problems will be solved with additional interfacing, hemming topstitching for body and support and handstitching the neck seams together to stop the shifting.
I think the rumpling problems will be solved with additional interfacing, hemming topstitching for body and support and handstitching the neck seams together to stop the shifting.

While I wait for the next class, I can choose my next coat pattern to tackle.

Yes-more coats are coming!

Related Posts

Project: Butterick 5542 (1930s), Jacket, part 3
Readers, Sometimes I make great strides in a project, to which...
Read more
Tailoring with Savile Row Tailors: Day 1
Readers, I walked out of the first day of my short...
Read more
Why Am I Subscribing to Swatch Services?
Readers, Do you subscribe to swatching services from fabric vendors? If you...
Read more

in Sewing Projects # coats, jackets, wearable tests

About pauladegrand

Reader Interactions

Comments

  1. Steve says

    October 27, 2013 at 10:42 am

    Lookin’ good! I really like the color, too. Some judicious steaming/shaping will also help with the rumples. Can’t wait to see the next coat project!

    • Paula DeGrand says

      October 27, 2013 at 11:44 am

      Yes, this orange is quite interesting, really. It matches a tone on the Yellow-Orange card of my 3-in-1 Color Tool. It has a bit of gray in it, which makes it more complex and versatile, I think. (I am no color expert and have scored low on color-ranking tests, so experts out there, stifle your laughter, please!) This plush fabric is sensitive to pressing, and I’ve begun to think it’s time to look for a steamer. That just might be my next serious sewing acquisition.

Trackbacks

  1. Getting Things Sewn is 1 Year Old | Getting Things Sewn says:
    July 13, 2020 at 1:25 pm

    […] a 1959 pattern, an orange version and a leopard-collar version of a big-collared, belted […]

2026 © Getting Things Sewn, Paula DeGrand
made by soulmuse